国立民族学博物館(みんぱく)は、博物館をもった文化人類学・民族学の研究所です。

研究会・シンポジウム・学会などのお知らせ

2014年7月19日(土) ~7月23日(水)
国際伝統音楽評議会「音楽とマイノリティ」研究グループ 第8回国際シンポジウム

  • 日時:2014年7月19日(土)~7月23日(水)
  • 場所:国立民族学博物館 第4セミナー室  (7月20日の関連研究公演は講堂)
  • 一般公開(要参加費/要事前申込)※参加費等については事前にご確認ください。
  • 使用言語:英語(同時通訳なし)
  • 主催:国際伝統音楽評議会「音楽とマイノリティ」研究グループ、国立民族学博物館
  • 参加のお問い合わせ :
    大会実行委員会事務局
    E-mail:ictm2014★idc.minpaku.ac.jp
    ※★を@に置き換えて送信ください。
 

趣旨

[img]国際伝統音楽評議会 International Council for Traditional Music は1947年にイギリスで設立された、世界最大規模の音楽・芸能学会です。傘下に19の研究グループがあり、それぞれ国際研究集会を開催しています。その中の一つである「音楽とマイノリティ」研究グループ "Music and Minorities"Study Group は2000年に設立され、同年の第1回大会(於、スロベニア)以来、隔年で国際シンポジウムを開催してきました。
今回、民博で開催される第8回国際シンポジウムでは、ハワイ大学名誉教授の民族音楽学者リカルド・トリミリヨス氏による基調講演のあと、1)文化政策とマイノリティ、2)観光とマイノリティ、3)ジェンダー・セクシュアリティ・マイノリティ、および4)その他の新研究からなる4つのテーマに沿って、28件の研究発表と1本の映画上映が行われる予定です。発表者は、アジア・ヨーロッパを中心として16か国から参加します。また関連企画として、大会2日目の7月20日に研究公演「アリラン峠を越えていく-在日コリアン音楽の今」を開催します。

国際伝統音楽評議会および「音楽とマイノリティ」研究グループの活動については学会のHPをご覧ください。
http://www.ictmusic.org/
http://www.ictmusic.org/group/music-and-minorities

大会テーマ

  1. Cultural Policy and Minorities
    The link between a minority and a majority is an essential one: a minority presupposes a majority. Minority-majority interaction is therefore inevitable. Cultural policy governing minority music, dance, and expressive culture in general is one result of that interaction. This theme seeks to explore the ways in which such policy comes to being, is enacted and shapes cultural life as a whole.
  2. Tourism and Minorities
    Music and dance of minority groups are an important component of tourism in many countries. They are used to promote the idea of "Authenticity" and "cultural diversity" in many places. This theme should examine the effect of tourism on the music and dance of minorities that are required to present their culture to foreign audiences in staged and artificial situations. The dynamics of the relationship between ethnography and tourism -- marked by complementarity, compromise, or conflict -- illuminates possible effects on cultural practices, musicians' employment, and local reappraisal of music and dance traditions.
  3. Gender and Sexual Minorities
    Gender has been a popular topic in ethnomusicology for many decades, but for the concerns of our study group, it needs to be recontextualized. Sexuality, on the other hand, has been one of the least researched topics in our study of music and minorities and we need to include this hitherto unexplored dimension in our attempt for general theorization of the minority concept. While gender and sexuality have important differences, they also share many common features and are frequently inseparable. This theme treats gender and sexuality as one unit of inquiry as the intersection of these two identities is often crucial in understanding the complexity of the issue.
  4. New Research
    For the first time in the history of the Music and Minorities study group, we have added the theme, "new research". With the growing importance of the category, minorities, and the dramatic increase in the world population of those who fall under the category, this theme seems particularly apt. Innovative and experimental approaches to the study of music and minorities will be particularly welcome.

プログラム

Saturday, 19 July 2014
9:00~10:00 Registration
10:00~10:30 Opening ceremony
Welcome addresses:
Sudo Ken'ichi (Director-General, National Museum of Ethnology)
Ursula Hemetek (President, Music and Minorities Study Group)
Introduction:
Terada Yoshitaka (Local Arrangement Committee)
10:30~11:30 Keynote lecture
Ricardo Trimillos (USA):
Music of “minorities” as lived experience and performed identity: Japan’s Okinawa, the Philippines’ Sulu, and America’s Hawaiʻi
11:30~12:00 Coffee/Tea break
12:00~13:00 Paper session 1: Cultural Policy
Gisa Jähnichen (Malaysia): Stereotyping for peace: Minorities’ music and dance traditions on the Vietnamese stage
Lonán Ó Briain (United Kingdom): Debauchery and deference: Mythologizing the minorities in Vietnamese popular music culture
13:00~14:15 Lunch
14:15~15:45 Paper session 2: Cultural Policy
Ow Wei Chow (Malaysia): Sound of a religious minority: Mainstreaming Buddhist music in the late 1990s and the early 21st century Malaysia
Prageeth Meddegoda Chinthaka (Malaysia): Selective tolerance of Hindustani music practices in Malay musical life
Ako Mashino (Japan): Being Muslim Balinese: Music and identity in the tradition of the Sasak community in eastern Bali
15:45~16:15 Coffee/Tea break
16:15~17:15 Paper session 3: Cultural Policy
Wei Ya Lin (Austria/Taiwan): Let’s listen to the songs regarding the Tao (indigenous ethnic group in Taiwan)
Pirkko Moisala (Finland): Gurung musicking and cultural politics of Nepal
Sunday, 20 July 2014
9:30~10:30 Paper session 4: Cultural Policy
Dan Lundberg (Sweden): Minorities and national archives
Elena Shishkina (Russia): State cultural policy of preserving and promoting traditional musical culture of ethnic minorities in Russia
10:30~11:00 Coffee/Tea break
11:00~12:30 Paper session 5: Cultural Policy
Tom Solomon (Norway): The play of colors: Staging multiculturalism in Norway
Sachiko Takiguchi (Japan): Refugees in Japan: Cultural policy and their musical surroundings
Kumiko Uyeda (USA): Three Ainu musicians: A legacy of resistance and synergy
12:30~14:00 Lunch
14:00~16:00 Concert (at Auditorium)
Over the Arirang Pass: Zainichi Korean Music Today
Kumgangsan Opera Troupe
Ahn Sungmin
Lee Jeongmi
Monday, 21 July 2014
9:30~11:00 Paper session 6: Tourism
Nancy Hao-Ming Chao (Taiwan): The effect of tourism on the music and dance of the Amis: A study on the socio-cultural change and transformation
Yves DeFrance (France): From secret rites of possession to public performances: The case of Gnawa in Morocco
Bożena Muszkalska (Poland): Wierszyna as the open-air museum of Polish musical culture in Siberia
11:00~11:30 Coffee/Tea break
11:30~12:15 Film screening
Bella Agrba (Republic of Adygea) with Arkadiy Dzhopua: Dance in the Abkhaz Collective Ritual Prayers (2014, 20 minutes)
12:15~13:30 Lunch
13:30~15:00 Paper session 7: Gender and Sexuality
Kai Åberg (Finland): Finnish Roma music, gender and sexuality: Opportunity, flexibility, and reflexivity
Barbara Hampton (USA): Ga women’s adaawe: A problem of feminist theory
Marko Kölbl (Austria): Female lamenting: Gender aspects in a Croatian lament tradition
15:00~15:30 Coffee/Tea break
15:30~16:30 Tour of the Music Gallery
16:30~17:30 Study Group Meeting
Tuesday, 22 July 2014
12:30~21:00 Excursion (to the Buraku community in Osaka City)
1) Osaka Human Rights Museum
2) TaikoMasa Co (Taiko manufacturer)
3) Summer Festival at Naniwa Shrine
4) Dinner at a local restaurant
Wednesday, 23 July 2014
9:30~11:00 Paper session 8: New Research
Marziet Anazarokowa (Russia): “We are dancing Adyghe dances in Turkish manner, now”: The cognitive method for studying the music and dancing folklore of Circassian (Adyghe) minority in Turkey
Marija Balubdzic-Makivic (Serbia): Vocal music improvisation and integration of Roma youth: The case of GRUBB
Jun’ichiro Suwa (Japan): The embodiment of cultural capital among Roma Lautari in Romania
11:00~11:30 Coffee/Tea break
11:30~13:00 Paper session 9: New Research
Anne Caufriez (Belgium): The fado, the expression of a minority
Rinko Fujita (Austria): Chindon-ya: A social minority in the modern Japanese society
Mia Nakamura (Japan): The 2011 Japan earthquake and music
13:00~14:15 Lunch
14:15~15:45 Paper session 10: New Research
Shino Arisawa (Japan): The role of music in “ethnic education” at overseas Chinese schools in Japan
Dae-Cheol Sheen (South Korea): The North Korean music as minority music in South Korea
Johannes Brusila (Finland): (Self-)ironic playing with minority identities: Humoristic music videos as an empowering tool among minorities in Finland
15:45~16:15 Coffee/Tea break
16:15~17:45 Final discussion
17:45~18:00 Closing ceremony