No.71 Music and Society in South Asia: Perspectives from Japan

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No.71 Music and Society in South Asia: Perspectives from Japan

Senri Ethnological Studies (SES)

No.71 Music and Society in South Asia: Perspectives from Japan

March 31, 2008 Publication

Edited by Yoshitaka Terada

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Contents

Introduction: Yoshitaka Terada

Part I: Song Texts

Popular Music and Social Changes in Sri Lanka: Shibuya Toshio

Women, Abuse Songs and Erotic Dances: Marriage Ceremonies in Northern India: Yuko Yagi

Part II: Religion and Music

Bhuta and Daiva: Changing Cosmology of Rituals and Narratives in Karnataka: Masataka Suzuki

The Samaj-gayan Tradition: Transmitting a Musico-Religious System in North India: Takako Tanaka

Between Art and Religion: Bhagavata Mela in Thanjavur: Takako Inoue

Part III: Classical Music Traditions

Flexibility in Karnatic Music: A Comparative Analysis of Maha Ganapatim: Yuko Matoba

The Transformation of Sarod Gharana: Transmitting Musical Property in Hindustani Music: Masakazu Tamori

Tamil Isai as a Challenge to Brahmanical Music Culture in South India: Yoshitaka Terada

Part IV: Theater, Cinema and Dance Sculpture

ßgBoys Be Ambitiousßh: Popular Theatre, Popular Cinema and Tamil Nationalism: Yoshio Sugimoto

Asia to Watch, Asia to Present: The Promotion of Asian/Indian Cinema in Japan: Tamaki Matsuoka

Dancing Images in the Gopuras: A New Perspective on Dance Sculptures in South Indian Temples: Yuko Fukuroi

Contributors

For enquiries about the series and to obtain copies of this volume, please contact:
Publications Office
National Museum of Ethnology
Senri Expo Park, Suita City, Osaka, 565-8511 JAPAN
Fax: +81-6-6878-7503
email: hensyu@idc.minpaku.ac.jp